Posts from Mafia 95. The Wardens' campaign against Urubaen. Auto-translated

Eragon lay beneath the rubble of Galbatorix's castle. He was unconscious. He dreamed of memories of the events in Farthen Dûr. He remembered fighting Oromis Havel. Shade was faster and stronger than him, but unexpectedly, Saphira unleashed Isidar Mithrim upon him – a huge gemstone. Eragon, taking advantage of the opportunity, pierced him with his sword, Zar'roc.

This trick initially made no sense, because it's not usable for the mafia — it automatically turns into a way for the town to clear themselves.

I've played enough games here to know the realities of HeroesWorld.

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And considering how many of those I was the mafia... Well, trust me, I know better how to and how not to play mafia on this particular forum.

But you didn't use it when you were mafia. And your words are just words.

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If you had pulled off something like this here on HeroesWorld while being a mafia player, then no questions asked, but right now it's just excuses. I'm 100% sure you wouldn't have done that if you were mafia.

If there is a killer among the two of us, it's you. But if it somehow turns out that you were actually town, and that this was some overly clever mafia move not to kill anyone at night and frame with a block, then the next day I'll put a vote on myself or modkill myself outright.

You're just a GG and a buddy of the GM, so of course he'll keep denying your ban to the very end. Very objective.

I used the same thing in Ment's mafia game, playing as a maniac. Nobody said a word to me back then.

Well, that means Ment did a poor job GMing.

Alright.
Who do we execute, guys?

I have Heroist/Nefela/Alex, and out of these three, two are negative.

The renewed interest in the stone (Chalcedony) during the time of classicism

The popularity of chalcedony faded after the fall of Ancient Rome and the decline of the ancient world under the heel of the Barbarians, but it was rediscovered with the beginning of the era of classicism. Interest in the varieties of chalcedony was stimulated by excavations of ancient Roman cities – gems and cameos made of carnelian, agate, and sapphire became objects of desire for the highest-ranking individuals, they were objects of rivalry, and they were set in brooches, rings, earrings, buckles, necklaces, and tiaras. Interest in ancient culture continued in high society during the heyday of the Empire style. Chalcedony, as one of the most popular stones in Ancient Greece and Rome, became relevant again. The royal houses of Europe possessed huge collections of gems and cameos – the Hermitage collection was especially famous, which contained many thousands of cameos, both of modern production and found in archaeological excavations of that time. A description of the collection has been preserved – numerous shelves and piles, literally overflowing with cameos with mythological subjects and heads made on chalcedony, carnelian, agate, and sardonyx. Napoleon, the poet G. Byron, and A.S. Pushkin each had two chalcedony rings. Chalcedony did not lose its relevance in the 20th century – it became a true symbol of Russian poetry at the beginning of the century. All the leading figures of Russian intellectual circles at that time loved to visit the hospitable Koktebel house of Maximilian Voloshin, who passionately loved striped, blue, and orange chalcedonies, which he collected right on the seashore. Andrei Bely, Osip Mandelstam, Alexei Tolstoy, Mikhail Bulgakov, Alexander Grin, Nikolai Gumilev, and Marina Tsvetaeva became owners of "ferlampiks," as the Crimean pebbles were called by Voloshin's guests.