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What's the second one? I don't know what you sent. I thought you'd send some metal track, but I don't see any metal here.
New here? I'm Roha — want a quick tour?
If you had paid even a little more attention, it would have been perfectly obvious to you what I sent! Almost as obvious as it is to me!
what comes second?
whatever came to mind.
16 Nebko sent 200%
http://www.youtube.com/watch?v=1ElZhltDOvo&feature=player_embedded
Revan, maybe we should extend the voting period for this contest a bit? There are a lot of songs, but many people don't have much time.
Wanted to submit a post-metal or sludge track (for variety, doesn't matter that no one will vote)
Within - Temptation Forsaken
14. Unknown - Requiem for a Dream - in reality, this composition is called "Requiem for a Tower," and as far as I remember, it was made for a promotional video for the second part of The Lord of the Rings, but it wasn't included in any official soundtrack. I really liked it! Sent by... could it be Loki?
actually, Within Temptation - Forsaken
How so? This isn't Howard Shore. It's Lux Aeterna by Clint Mansell! It's from the Requiem for a Dream soundtrack. I thought you knew. One of us is definitely mistaken.
"Lux Aeterna" (Latin for "eternal light") is a composition by Clint Mansell, and it is the most famous piece in the Requiem for a Dream soundtrack. The composition is a recurring musical theme in the film, acting as a leitmotif. It is the penultimate, 32nd track on the soundtrack. The popularity of this track has led to its use in pop culture outside of the film, especially in trailers. However, the trailer for the film Requiem for a Dream did not use this theme, but instead used the song "Everloving" by Moby.
“Lux Aeterna” was re-arranged using an orchestra and choir specifically for the trailer for the film The Lord of the Rings: The Two Towers. The new version of the composition was called "Requiem for a Tower" (it is not included in either the Requiem for a Dream soundtrack or the The Lord of the Rings: The Two Towers soundtrack). The composition was re-arranged by Simone Benyacar, Daniel Nielsen, and Veigar Margeirsson. Although it was never officially released, after huge demand from fans, the orchestral version was released by Corner Stone Cues in the album Requiem for a Tower.