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With the release of *Heroes 5 - Tribes Of The East*, the *Crusader* appeared in the game. Who is he?
I think many of you simply think of them as warriors with a cross on their shield.
I will try to tell you everything about them. And everything connected to them.
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I have been interested in this for a long time. I found this on my discs.
I will try to cover the topic as fully as possible.
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The Templar Cross.

Forms of the crosses used by the Order of the Temple
On April 27, 1147, Pope Eugenius III attended the General Chapter of the Order of the Temple in their new home in Paris. In the presence of King Louis VII Capet of France, the Archbishop of Reims, one hundred and thirty knights of the Order of the Temple, and the Master of France, Everard des Gouttes, the Pope granted the Templars the right to wear an image of a scarlet cross on the left side of the cloak, over the heart, "so that this victorious sign may serve them as a shield, and that they may never turn back before any infidel".
Initially, the cross had a simple shape, no different from the cross sewn onto the garments of crusaders when they set out on a campaign. Over time, the cross could change shape to a wedge-like form. Originally, the cross was worn on the shoulder. However, in the final period of the order's existence, according to the regulations of the time, knights, sergeants, and canons wore the cross on the chest and on the back.
So, what exactly was the Templar cross? There has been—and undoubtedly will continue to be—much debate about this. The inability to reach an agreement on this issue indicates that we are talking not about one cross, but about several.
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The Templar Banner
Cardinal Jacques de Vitry, Bishop of Acre and frequent companion of the Templars in their military expeditions, describes the religious and combat spirit of the brothers of the Order as follows:
Two knights of the Order of the Temple.
"Chronica majora" Matthew Paris

Standard-bearer of the Order of the Temple.
"Chronica majora" Matthew Paris

Templars in battle.
Fresco in the Order's church in San Bevignate, Perugia.

"When the call to arms sounds, they never count the enemy, for why should they? Lions in battle, lambs in the monastery; brave warriors on the battlefield, humble monks in prayer; fierce and merciless to the enemies of Jesus Christ, they are kind and merciful to Christians. In battle, they carry before them a banner divided into black and white halves, as a sign that they are just and merciful to Christians, and formidable and terrible to enemies. The brothers themselves call this banner Beau-seant or Bien-seant".
Ernoul (squire to Balian of Ibelin and chronicler) writes that from the very foundation of the Order, the brothers had a banner called Bauzant.
There is also a version that the banner was called baucant (piebald).
The banner was divided horizontally into two parts—the upper black and the lower white. Sometimes with a red cross located on the white field. The meaning of the banner's colors is still unclear. Did it signify the victory of the forces of good over evil? Or perhaps it denoted the two classes within the Order—knights in white mantles and sergeants in black cloaks? There is also a version that the black part of the banner represented the worldly, sinful life that the Templars left behind upon joining the Order, and the white part symbolized the purity of their current life, dedicated to fighting for the faith.
The depictions of the banner by various chroniclers differ as to which part was white and which was black. Matthew Paris, chronicler of St Albans Abbey, depicts the banner with the upper part black and the lower part white. Moreover, their proportions varied in his work. In Historia Anglorum, he depicts the Order's banner divided into two parts: the upper third black, and the lower two thirds white.
At the same time, in another of his works, Chronica majora, he provides images of the banner both with equal fields and unequal ones (as in Historia Anglorum).
The church of San Bevignate in Perugia (Umbria) was built between 1256 and 1262 under the leadership of the papal treasurer, Brother Bonvicino of the Order. San Bevignate was one of the Order's centers in Perugia (and from the 1280s, the only one). Inside, on the west wall, remains of a large fresco are preserved, depicting a battle between crusaders and Muslims. One can distinguish the banners and shields of the brothers of the Order, divided into equal halves—the upper white (with a pattée cross applied) and the lower black.
It is possible that the banner depicted in the frescoes of the San Bevignate church was the Master's standard, while Matthew Paris drew the banner carried by the Marshal (article ?164 of the Order's Rule) and other hierarchs on the battlefield. According to the same Rule, the right to carry the banner, both in wartime and peacetime, was held by: the seneschal (article ?99), the commander of Jerusalem (article ?121), the commanders of the regions of Antioch and Tripoli (article ?125), the commander of knights under the turcopole (article ?170), the commander of knights under the marshal (article ?165), etc.
Obviously, the Order's banner was not unique (like, for example, the Oriflamme of the French kings). In any case, the order's standard played a very important role on the battlefield (besides its "classic" role, naturally): it showed the center of the order's center, as well as the place toward which the brothers were to strive for regrouping and a new attack. Its function was so important that a duplicate banner existed, carried rolled up, in case the first one fell. And before an attack, the Marshal appointed 10 knights whose sole task was to guard the banner. In the event that a brother abandoned the banner and fled the battlefield, this was considered a very serious offense for which the brother could be expelled from the Order (article ?232 of the Order's Rule). If a brother lowered the banner in battle, the chapter could strip him of his cloak.
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I think many of you simply think of them as warriors with a cross on their shield.
I will try to tell you everything about them. And everything connected to them.
********************************************************
I have been interested in this for a long time. I found this on my discs.
I will try to cover the topic as fully as possible.
*********************
The Templar Cross.

Forms of the crosses used by the Order of the Temple
On April 27, 1147, Pope Eugenius III attended the General Chapter of the Order of the Temple in their new home in Paris. In the presence of King Louis VII Capet of France, the Archbishop of Reims, one hundred and thirty knights of the Order of the Temple, and the Master of France, Everard des Gouttes, the Pope granted the Templars the right to wear an image of a scarlet cross on the left side of the cloak, over the heart, "so that this victorious sign may serve them as a shield, and that they may never turn back before any infidel".
Initially, the cross had a simple shape, no different from the cross sewn onto the garments of crusaders when they set out on a campaign. Over time, the cross could change shape to a wedge-like form. Originally, the cross was worn on the shoulder. However, in the final period of the order's existence, according to the regulations of the time, knights, sergeants, and canons wore the cross on the chest and on the back.
So, what exactly was the Templar cross? There has been—and undoubtedly will continue to be—much debate about this. The inability to reach an agreement on this issue indicates that we are talking not about one cross, but about several.
**************************
The Templar Banner
Cardinal Jacques de Vitry, Bishop of Acre and frequent companion of the Templars in their military expeditions, describes the religious and combat spirit of the brothers of the Order as follows:
Two knights of the Order of the Temple.
"Chronica majora" Matthew Paris

Standard-bearer of the Order of the Temple.
"Chronica majora" Matthew Paris

Templars in battle.
Fresco in the Order's church in San Bevignate, Perugia.

"When the call to arms sounds, they never count the enemy, for why should they? Lions in battle, lambs in the monastery; brave warriors on the battlefield, humble monks in prayer; fierce and merciless to the enemies of Jesus Christ, they are kind and merciful to Christians. In battle, they carry before them a banner divided into black and white halves, as a sign that they are just and merciful to Christians, and formidable and terrible to enemies. The brothers themselves call this banner Beau-seant or Bien-seant".
Ernoul (squire to Balian of Ibelin and chronicler) writes that from the very foundation of the Order, the brothers had a banner called Bauzant.
There is also a version that the banner was called baucant (piebald).
The banner was divided horizontally into two parts—the upper black and the lower white. Sometimes with a red cross located on the white field. The meaning of the banner's colors is still unclear. Did it signify the victory of the forces of good over evil? Or perhaps it denoted the two classes within the Order—knights in white mantles and sergeants in black cloaks? There is also a version that the black part of the banner represented the worldly, sinful life that the Templars left behind upon joining the Order, and the white part symbolized the purity of their current life, dedicated to fighting for the faith.
The depictions of the banner by various chroniclers differ as to which part was white and which was black. Matthew Paris, chronicler of St Albans Abbey, depicts the banner with the upper part black and the lower part white. Moreover, their proportions varied in his work. In Historia Anglorum, he depicts the Order's banner divided into two parts: the upper third black, and the lower two thirds white.
At the same time, in another of his works, Chronica majora, he provides images of the banner both with equal fields and unequal ones (as in Historia Anglorum).
The church of San Bevignate in Perugia (Umbria) was built between 1256 and 1262 under the leadership of the papal treasurer, Brother Bonvicino of the Order. San Bevignate was one of the Order's centers in Perugia (and from the 1280s, the only one). Inside, on the west wall, remains of a large fresco are preserved, depicting a battle between crusaders and Muslims. One can distinguish the banners and shields of the brothers of the Order, divided into equal halves—the upper white (with a pattée cross applied) and the lower black.
It is possible that the banner depicted in the frescoes of the San Bevignate church was the Master's standard, while Matthew Paris drew the banner carried by the Marshal (article ?164 of the Order's Rule) and other hierarchs on the battlefield. According to the same Rule, the right to carry the banner, both in wartime and peacetime, was held by: the seneschal (article ?99), the commander of Jerusalem (article ?121), the commanders of the regions of Antioch and Tripoli (article ?125), the commander of knights under the turcopole (article ?170), the commander of knights under the marshal (article ?165), etc.
Obviously, the Order's banner was not unique (like, for example, the Oriflamme of the French kings). In any case, the order's standard played a very important role on the battlefield (besides its "classic" role, naturally): it showed the center of the order's center, as well as the place toward which the brothers were to strive for regrouping and a new attack. Its function was so important that a duplicate banner existed, carried rolled up, in case the first one fell. And before an attack, the Marshal appointed 10 knights whose sole task was to guard the banner. In the event that a brother abandoned the banner and fled the battlefield, this was considered a very serious offense for which the brother could be expelled from the Order (article ?232 of the Order's Rule). If a brother lowered the banner in battle, the chapter could strip him of his cloak.
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Евангелие от Иоанна, 1.5: Lux in tenebris lucet, et tenebrae eam non comprehenderunt. Свет во тьме светит, и тьма не объяла его.


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knights_9_13 century
Archive with frescoes and pictures.
1 of them.
I'm uploading via mobile, so I chose the best ones.
Download archive with pictures, frescoes, details from excavations (24) =
Octavian Stampas - Knight of Christ.book
Download =







