Posts from ☀️ Arselia and Akonia
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Beata has already drilled a hole in a spoon for her new cellmate; she's currently gluing dildos onto a chair...
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bad news: the apostle found you
Merell, five years later
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Yeah, something like that could only happen in a game like this – Ayano smirked. Nihon culture is full of hundreds of legends passed down from generation to generation about evil spirits that take the form of seductive women and deceive men of all social classes – and the purpose of these legends is to teach the younger generation that not everything that glitters is gold, and in the pursuit of passionate desires, one shouldn't turn off their mind.
On the one hand, it's good that an innocent person managed to retain his freedom, even if he had to do it by force, with a weapon in his hand, but it's also a pity for those who died, even the Alaite man. It is believed that they live a long time and in a very enlightened state of mind, so it should have been repulsive to his very nature to rush headlong and, disregarding the instinct of self-preservation, throw himself into the fray, like a person whose life, in comparison with an Alaite, is measured by the lifespan of a fruit fly, and yet he did it, which is more than worthy of a knight's path.
Although, in relation to the author of the play, there is clearly a hint of contempt for these matters – with the exception of the Sorceress, all the other attackers embody the images of champions of justice of all kinds, and they, according to the plot, groundlessly accuse an innocent person. When the narrative reached the point of the guard's escape, Ayano confidently nodded her head – indeed, one shouldn't expect much from most of the dull-witted patrols, especially since this particular one was clearly obsessed with ambitions for promotion (or perhaps he was ready to go to any lengths and even frame civilians, just so that he himself would not be demoted and his head would not leave his shoulders for a mistake in service); when the woman with the katana fled, the miko only shook her head in disappointment. Sometimes moments of weakness happen to the strongest of us, and even a samurai can find himself in such a situation, but still, after this particular detail, a suspicion crept into her mind that the whole play was a typical example of modern art, deconstructing all possible types of virtuous values.
Could it be that the censors overlooked this moment, celebrating the criticism of the depraved image of female behavior, which "by a happy coincidence" coincides with the party's general line? Or is this the real position of the author, and there is no censorship at all? A question worthy of reflection in a situation appropriate for it – during an evening bath, or other biological and hygienic procedures. But, in fact, it is better to leave it to art critics.
Summing up the tale – and reflecting on the vocabulary just used, Ayano decides to take a walk through the publicly accessible areas of the theater in search of something that might indicate the "phantom." If this leads to nothing, she will try to engage in a short conversation with some employee or, preferably, an actor who doesn't seem too nervous, if possible.
On the emerald alley, shortly after Keliandra left the rabbit hole.
— In the name of the Emperor! What do you think you're doing?
- And what do you think? Couldn't you find a shorter skirt, you slut?
—The second option. —Klin says briefly to his companions.
—Good day, Mr. Melesar. Since we've already been referred to as prisoners in the description, allow me to skip the formalities and ask directly: what do we owe this unique invitation to?
— Hahahahahahahahaha, — the strained, forced chorus of slaves reached the prisoners.
— Hahahahahahahahaha, — a strained, slave-like chorus echoed to the prisoners.
Title

Melesar
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