The Road to Tomorrow (Tenok Ferlutsy) - 9.
I really like the work with colors and the slightly deliberately careless brush style - it's clear that it was drawn with feeling.
IPB (Heinos Gnilomud) - 8.
Well drawn, but the meaning escapes me, and maybe that's for the best. It's a shame that the background is a bit empty.
Inexperience (Kanchan Kidzham) - 10.
Everything has already been said, a very visually pleasing scene.
Jigokuraku (Sima Yun) - 10.
I hope I never find her in such a situation, and that it's just pure fiction. Either way, the detail and lighting are impressive. As always, excellent.
Lady from the Portrait (Revana es Diesra Arual) - 10.
Even if she isn't actually alive, she looks like it. Special respect for the decent outfit and interesting composition.
Rinze Reim (Kostus Kepler) - 7.
A pleasant woman, but I would like a little more detail and some kind of background.
The Beginning (Eogan Lamark) - 10.
Perhaps this depicts something universally astrological, or maybe it's a look at events from five thousand years ago, or some other event from our deep history. But I would never have thought that it is technically possible to depict something like this with color and light using painting.
Map of the Islands (Ahuli) - 10.
Let this be favoritism, but I understand the personal context invested in it and I am very grateful for that. In addition, in the context of our "event," it is avant-garde in its own way and impressive even from a technical point of view.
Aiyano-sama in Hoshigume (Ahuri) - 10.
It turns out that there are four seasons there too, and I had no doubt. Very beautiful symbolism and colors, and an accurate hit in the right quadrant, although it's a little awkward to look at.
The State (Kleona Krim) - 9.
This is very, very funny. Perhaps this is exactly how training takes place for our pillars.
Dragon Slayer (Beata Lakse) - 10.
A pleasant young man, excellent detail and palette. It slightly overloads the visual receptors, but in this case, it's a plus.
The End of the World (Erefir Linel Darvening) - 9.
At first glance, it doesn't look as good against the background of more vivid works, but upon closer inspection, you notice the finest work with the relief and lighting, which is very impressive.
- They may not be particularly interesting, but if I am not forced to artificially spread them out, then I will not do it, - she explains to someone unclear (presumably the person to whom she is handing them over).
- According to a common opinion in our homeland, the main reason was to protect our people in the long term from the encroachments of external opponents. That is, the more land and resources you have, the easier it is to defend yourself from them. In human countries, they used to treat them very hostilely, so the path of diplomacy and coexistence was not possible. Mikoto Hoshigume is our ruler, however, she does not share this point of view, arguing that the struggle for dominance is a natural thing for our world, which is fundamental not only in human society and the animal world, but even in more масштабных concepts: for example, the seas try to engulf the land, the sands fertile soil. Such a struggle can also be seen in the world of microorganisms or in the confrontation of ideas. Borders are the result of a recent temporary truce. Both sides decided to stop and assess the degree of threat posed by the Shogunate of Momijigari. Never before have the people of the islands organized themselves into such a large, well-organized, and warlike state.
- Excuse me for bothering you. Your Highness Aiyano, Lady Reim, Lady Kleona - Amamius Okikot, from the technology exhibition, sends through me a request to supplement the reviews from that event with ratings, for statistics. If you want to do so and it is convenient for you, I will pass it on to him.