Unlike the first one, which I enjoyed but didn't find particularly outstanding compared to other works by Uchikoshi, this one was truly excellent, even in that comparison. Here, Uchikoshi deviated significantly from his favorite themes, which sometimes repeat in his other works, and still managed to create something interesting, intricate, and cohesive, even with connotations and messages for the most discerning expert fans. And perhaps the fact that the setting was already familiar played a positive role.
...Aiba said that Mizuki doesn't have sex appeal, but the opinion of a computer in such matters is, of course, not very reliable; otherwise, I wouldn't be constantly admiring her model... and looking at it 😁😁😁
