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Just some dumb, zoomer-esque, post-modern garbage. There are a few good moments, but there's no point in forcing yourself to go through this trash for them.



Unlike the first one, which I enjoyed but didn't particularly love compared to other works by Uchikoshika, this one was quite excellent even in that comparison. Here, Uchikoshika moved away from his favorite themes, which are sometimes repeated in his other works, and still managed to create something interesting, intricate, and organic, even with connotations and messages for hyper-observant expert fans. And perhaps the fact that the setting was already familiar played a positive role.