Sakuramoria

“I also thought about the possibility of lulling us into a false sense of security – that’s quite possible,” Leila agreed with her friend’s suggestion. “So, we examine the painting, move a little further, and then we hear some noise behind us. We turn around, and something will be wrong with the painting. Not in a very obvious way, like a gloomy landscape or the transformation of these two girls into terrible monsters, but in the form of some small, unsettling detail. For example, their gazes might be directed at one of us. Or, perhaps, after the painting, there will be a labyrinth that leads us to a copy of the same room, with the same painting, making us doubt whether we chose the right path. Making us wonder if we haven’t gotten lost. And the main source of fear will not be so much artificial monsters, but rather the feeling of disorientation, lostness, and discomfort. Or,” the girl spread her hands, “the creator of this attraction simply has a strange sense of humor, and this is just someone he knows who he doesn’t personally like.”