Небо
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We'll Make It to Monday
A cool Soviet noir)) The impression from the first frames is a heavy grayness. No, not because the film is black and white. But these are the first frames. Later, everything gets much better. The grayness turns not just into grayness, but into a high-quality and quite saturated gray hopelessness that hangs over the film almost until the very end. And you can feel it. Towards the end, it gets a little brighter, and I might not have liked that if it weren't for the open ending. Which, in my opinion, is quite well done. I seem to be feeling generous with words today. In general, it's excellent; I liked it.
A cool Soviet noir)) The impression from the first frames is a heavy grayness. No, not because the film is black and white. But these are the first frames. Later, everything gets much better. The grayness turns not just into grayness, but into a high-quality and quite saturated gray hopelessness that hangs over the film almost until the very end. And you can feel it. Towards the end, it gets a little brighter, and I might not have liked that if it weren't for the open ending. Which, in my opinion, is quite well done. I seem to be feeling generous with words today. In general, it's excellent; I liked it.
Небо – мольбы не ждёт
Небо – угроз не слышит
Небо – ведёт особый счёт
Небо – тебя найдёт
Небо – угроз не слышит
Небо – ведёт особый счёт
Небо – тебя найдёт
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